Perception is a topic of increasing importance due to the evolution of artificial in intelligence, augmented and virtual reality. Does this mean that artificial intelligence lead to artificial perception ? These technologies will and are entering our life deeper everyday in many fields. The idea of patterns of perception is central indeed. However do artificial perception/intelligence have illusions ? Philip K. Dick already asked if Androids would dream of electric sheep. For the second edition of LASER Nomad, the project lands in Recife, Brazil. Laser Nomad will explore and tackle perception. The topic is broad indeed, and we will frame it through art, music, computer science, anthropology and museology by inviting two major figures of art from Brazil, and two scientists.
CHAIRED BY: Luca Forcucci
9am – 12pm Laser Nomad Talks
Paulo Bruscky was born in 1949 in Recife, and received his BA in journalism at the Universidade Católica de Pernambuco, Recife, in 1978. Bruscky’s work reflects a simultaneous engagement with both the local artistic framework of Recife and a global network, which he documents in artist’s books, performative projects, and photographs. A key participant in the international mail-art movement and associated with Fluxus, he investigates meaning through action, collage, installation, film, and poetry.
Avant-garde composer Jorge Antunes is known as the man who pioneered electronic music in Brazil. During the ’50s and ’60s, he studied the violin, conducting, composition, and physics, and as a result of the latter wrote his “Cromoplastofonias” series. Starting in the late ’60s, he worked in electronic studios in Buenos Aires (with Alberto Ginastera (link is external) and Umberto Eco, among others) and Paris, with Groupe de Recherches Musicales (with Pierre Schaeffer (link is external)). He served as a professor, studio director, and orchestra conductor at the University of Brasilia. Over the years, he founded the Chromo-Music Research Studio and the new music ensemble Group of Musical Experimentation. In his compositions, Antunes has explored the relationship between sound and colors, flavors and odors (in “Ambiente I”), and ‘commented’ on work by Claude Levi-Strauss with a percussive performance art piece. He has won several awards including the International Tribune of Composer’s UNESCO prize twice in the ’90s.
Alexandro Silva de Jesus
Adjunct Professor of the Department of Anthropology and Museology of the Federal University of Pernambuco and member of the Research Ethics Committee of the same institution. Holds a Bachelor’s degree in History from the Olinda Higher Education Foundation (1999), a Master’s in History from the Federal University of Pernambuco (2003) and a PhD in Sociology from the Federal University of Pernambuco (2010). Research interests encompass relationships between science and technology, politics of patrimonialization and museology in postcolonial spaces. His work problematizes, on the one hand, the policies for culture developed in spaces of decoloniality, and, on the other, the relations between scientific research and ethics.
Sofia Galvão has a technical background in Electronics, a degree in Computer Engineering and a Master’s Degree in Computer Science. In her work with technology, she developed an interactive object for the exhibition Silence of the Form, by the sculptor Corbiniano Lins, and guided works by Oi Kabum students! School of Art and Technology. Conducted several workshops in different contexts: Construction of Digital Musical Instruments (National Science and Technology Week), Musicality and Technology (Agreste Academic Center UFPE), Low Cost Technologies and Gambiarras for Interactive Applications (Recife Summer School) and Lab of Textile Electronics – Stitching Sounds (SESC Belenzinho). She is part of MusTIC – Research Group on Technology and Design of Products and Experiences for Education, Arts and Entertainment. Coordinated a collective exhibition of the results of a series of artistic residencies that took place during the past year in the context of the MOVEMENTES project, a research in art and technology.
is a sound artist and researcher, doctoral student in sociology at the Federal University of Pernambuco/UFPE. Has a master’s degree in communication from the UFPE. Develops artistic investigation exploring intersections between noise, language and everyday practices. Maintain since 2010 the label Estranhas Ocupações, through which releases records, publications and organizes concerts. Co-creator of the sound art and experimental music festival Rumor and the seminar and artistic residence program (Entre) Lugares Sonoros.
5 – 7pm Concerts
Ballade Dure, Electroacoustic piece (1995) 20’30”
Miró Escuchó Miró, for piano, electronic sounds and images (1998) 17’40”
Piano: Mariuga Antunes
B(L)(E)(E)(N)DINGS, Live electronic and images (2018), 35’00”