France Jobin: The Sonic, the architecture and the quantum physics

France Jobin has a long career in experimental music. She introduces her works as related to the sonic and architecture, and how she developed works inspired and informed by quantum physics, including the challenges induced by art and science collaborations

France Jobin / Interview by Luca Forcucci – November 2021 / Berlin – Montréal

Biography

“This album seems to mark a shifting in Jobin’s sound, one that departs from the strictly ultra-minimal ethos she’s known for, and I for one am excited to hear where this goes.

Darren McClure
Intrication, No.
Toneshift (December 2018)


“We detect imperceptible subsurface discolourations, brief dissipations of energy across the harmonic flawlessness, a few dynamic weaknesses and slight distortions in an otherwise rather narcotic flux. It’s sorrow-inducing, brain-quietening, and profoundly individual.

Massimo Ricci
Death is perfection, everything else is relative EMEGO 276
Touching Extremes (July 2020)

France Jobin is a sound / installation / artist, composer and curator residing in Montreal, Canada. Her audio art can be qualified as “sound-sculpture”, revealing a minimalist approach to complex sound environments where analog and digital intersect. Her installations express a parallel path, incorporating both musical and visual elements inspired by the architecture of physical spaces. Her works can be “experienced” in a variety of unconventional spaces and new technology festivals across Canada, the United States, South America, South Africa, Europe, Australia, Japan and South Corea. Since 2009, her focus has been related to
Quantum mechanics. Many of her projects are inspired by theories related to topics such as vacuum decay, string theory and more recently, what she feels to be the most perplexing phenomenon in the world of the quantum , entanglement resulting in a first presentation, Entanglement A/V, with visual artist Markus Heckmann, which delves into the realms of quantum physics premiered at Mutek Mtl 2021.


In November 2019, she presented her first modular concert (Buchla 100) at the Ernst Krenek Institute in Austria. Jobin has created solo recordings for Editions Mego(AT), No-ware (CL-DE), Silent Records (USA), popmuzik records (JP), bake/ staalplaat (NL), ROOM40 (AU), nvo (AT), DER (US), ATAK (JP), murmur records (JP), Baskaru (FR) and the prestigious LINE label
(US). Jobin’s sound art is also part of countless compilation albums, notably on the ATAK (JP), bremsstrahlung (US), Mutek (CA), murmur records (JP), and/oar (US), tsuku boshi (FR), everest records (CH), and Contour Editions (US) labels. She is also featured in the influential book and recording, Extract, Portraits of Soundartists (book + 2 cd), released on the nonvisualobjects label (AT). The collaborative album ligne, created with sound artist Tomas Phillips, was released on the ATAK label (JP) and her recent collaboration with acclaimed artist Richard Chartier, DUO, is released on the mAtter label in Japan.


DUO A/V premiered at Mutek Mtl 2019 with sound artist Richard Chartier and visual artist Markus Heckmann and was presented at the Precxte festival in South Corea.
Her installations and screenings have been shown internationally at museums and festivals. Her work P Orbital released on LINE (Valence, LINE054) was presented in the context of ESCUCHAS, a first sound art exhibit for the Museum of Modern Art in Medellin, Colombia. P Orbital was also presented at CONTEXT-ing / Listening as CONTEXT at the Miami Art Fair in Florida, Call &Response, London Uk as well as at the Haunted formalism exhibit in LA curated by Volume. An invitation to the AIR Artist-In-Residence program in Krems, Austria enabled her to create und transit, a sound installation set in the MinoritenKirche cloister in Stein (AT) and und transit.03 has been presented in the sound art exhibit “Dock” at the Ancien Palais de Justice in Lièges, Belgium.


Her two ongoing collaborations with visual artist Cédrick Eymenier (FR) have resulted in EVENT HORIZON, an audio/video piece, and The Answer, a movie, with the soundtrack by France Jobin and Stephan Mathieu. EVENT HORIZON was screened in Paris
(2010), at the Venezuela Biennale in Merida state (2010) and was performed live at the Torrance Art Museum in Los Angeles (2010) and ISEA RUHR 2010 (DE). The Answer was screened at IAC, Villeurbanne, France in March – May 2016. In 2011, Jobin was
one of five international artists selected to present her sound installation, Entre-Deux, in the new media exhibit Data/Fields, curated by Richard Chartier at Artisphere in the Washington, DC area, along with Ryoji Ikeda, Mark Fell, Caleb Coppock, and Andy Graydon. Her proposition received critical acclaim from the national press. Entre-Deux was presented at N38E13 in
Palermo, Sicily (2017). She premiered the audio visual performance of “intrication” at Mutek AR 2018 with the Argentinian visual duo prifma. Her audio visual collaboration: “Mirror Neurons” with sound artist Fabio Perletta (IT) and xx+xy visuals (IT) was screened as a world premiere at A x S / ak-sis / FESTIVAL 2014 | CURIOSITY as part of the Synergetica Screening in Los Angeles in September 2014. In October 2015, France was invited to take part in an artist residency at EMPAC (Troy,NY) which resulted in the creation of a new light sound
work entitled 4.35 – R0 – 413, a collaboration with Alena Samoray, lighting designer.


Her latest installations, ‘Inter/sperse’ and ‘Entre/temps’ both premiered in Italy. ‘Inter/sperse’ is a site specific installation created in the context of an international residency organized by Museolaboratorio, LUX and farmacia901. It opened May 27 2017 at Museolaboratorio, Città Sant’Angelo Italy. ‘Entre/temps’ is a site specific installation commissioned by Enzo De Leonibus, artistic director of the EaRrEtMeI festival which opened in Palena, Itally, June 4 2017.


She has also participated in numerous music and new technology festivals such as Mutek (Montreal, 2001, 2004 – 2009, 2014, 2017, 2019 AR 2018), Festival Novas Frequencies (Rio, Brazil, 2019) Prectxe (South Korea, 2019), Interference (Austin, 2019), Suoni Per Il Popolo (Montreal 2019), EM15 (Montreal 2014), EMPAC (US 2011, 2015), roBOT 8 (Italy 2015) Angelica Festival (Italy 2016), Portobeseno (Italy 2014), Interferenze – Liminaria (Italy 2014), Flussi Media Arts Festival (Italy 2014), FIMAV, SEND + RECEIVE (Winnipeg, 2003, 2005), Club Transmediale (Berlin, 2004), Shut up and Listen (Vienna, 2009), ISEA RUHR 2010
(Germany), the surface tension tour (Japan, 2012) and the Symétrie tour (Japan 2016).

“immersound” is a concert event/philosophy concept initiated by Jobin, which proposes the creation of a dedicated listening environment by focusing on the physical comfort of the audience within a specifically designed space. The premise of “immersound” is to seek out/explore new perceptions in and experiences of the listening process by pushing the notion of “immersion” to its possible limits. She created and produced “immersound” from 2011 to 2015 at Oboro in Montreal.


She was a finalist at the Sonic Arts Awards 2014 (IT) in the Sonic Research category. In January 2013, the Conseil québécois de la musique (CQM) awarded the prestigious Opus Prize for Concert of the year to France Jobin for her concert at AKOUSMA 8.


Jobin’s work continues to evolve as technologies enable her to create new environments.
France Jobin is published by Touch Music/Fairwood Music UK Ltd

Links

Entanglement AV: https://youtu.be/WSjp4qxPQYg


Science: 

Death is perfection, everything else is relative:https://francejobin.bandcamp.com/album/death-is-perfection-everything-else-is-relative?label=502986885&tab=music

The fluidity of time does not exist: https://francejobin.bandcamp.com/album/the-fluidity-of-time-does-not-exist

Music

10-33cm https://francejobin.bandcamp.com/album/10-33cm

SUPPORT

As a non profit project promoting knowledge and education, any support helps to provide new content and develop future ideas. Thanks

CHF 10.00

Maria Mannone: Physics, Music, art, gestures and on being fascinated

Maria Mannone describes the links between her professional backgrounds as physicist, musician, composer, conductor, and how it inspired her to define links between proportions found in nature, and mathematics toward music and the visual arts. This includes projects exploring sonification, a method to render data audible, in the medical domain.

Maria Mannone / Interview by Luca Forcucci – November 2021 / Berlin – Palermo

Maria Mannone is a theoretical physicist and composer. She gained her MSc in Theoretical Physics and three masters in Piano, Composition and Orchestral Conducting in Italy, her Master 2 ATIAM at IRCAM-UPMC Paris VI Sorbonne, and her Ph.D. in Composition in the US, at the University of Minnesota. Her interdisciplinary research deals with music, mathematics, and forms of nature. She invented the “CubeHarmonic”, a new musical instrument based on the Rubik’s cube. She is currently postdoctoral researcher at the University of Palermo and “subject expert” at Ca’ Foscari University of Venice. Her most recent books are “Mathematics, Nature, Art” and “Simmetrie fra Matematica e Musica” (Palermo University Press).

Links to her work

– A Fight for Light: https://www.youtube.com/watch?v=PS1iLgSieyo
– Gondola in musica: https://www.youtube.com/watch?v=vS5nIvrr_pI&t=2s
– Musiche per una scena di Buster Keaton: 
https://www.youtube.com/watch?v=lqPT32eY8vI&t=2s
– Improvvisazione libera: https://www.youtube.com/watch?v=1OClm1pn7-g
– Improvvisazione su paesaggio sonoro: 
https://www.youtube.com/watch?v=oMldYLbfIRE

Urgent Since a Long Time Now

[Anti]disciplinary Topographies

Urgent Since a Long Time Now

A Sonic Collage & Cut Up & Cut Away

USE HEADPHONES !

The power of the voice (s) allied with poetry and (deep) listening are perhaps ways to deal with urgent terrestrial and human problems caused to the biosphere, which have been urgent for a long time now.

The work is a sonic collage, like a surrealist poem based on podcasts conducted since 2018 and available at www.ubqtlab.org. The platform engages with interdisciplinary and transnational collaborations in an attempt to decolonize knowledge. It proposes a unique combination of fields, such as ritual studies, anthropology, phenomenology, cognitive science, technology, poetry and the sonic arts, and allows for the mechanisms of listening and questions about phenomenal consciousness to be addressed from a sonic perspective by fusing theoretical writing with sonic artworks as research-creation. It also counterbalances a dominant visual and Western, techno-scientific perspective.

Luca Forcucci (CH/IT): Distinguished artist and scholar. His research observes the perceptive properties and the field of possibilities of the first-person experience, which is explored as an artwork. Forcucci is interested in perception, subjectivity and consciousness. His installations, performances, electroacoustic compositions, photography and texts have been exhibited worldwide on a regular basis. Since 2009, he has collaborated with scientists in the field of cognitive science. He is particularly fascinated by visual mental imagery and the sonic imagination to explore the conceptual idea of the sonic architecture. www.lucaforcucci.com

Credits

With the voices of Jocy de Oliveira (BR), JIll Scott (AU), Pamela Z (US), Jorge Antunes (BR), Stanley Moss (US), Phill Niblock (US), Matt Black (UK), Paulo Bruscky (BR), Eduardo Kac (BR)

Matt Black: A cosmology of sound, visuals, networks, records, free speech, cut – up for a pioneer of club culture and warehouse laboratories.

During this interview, Matt Black drive us into more than 30 years of music, activism, ecology, internet, vw bus, pirate tv, Max Headroom, kissfm, london best dj’s, pirate radio, warehouses, encoders, turning Radiohead to electronic, Zen Delay, Vjamm Pro software and more. Black also discuss his latest album, and his experiences in the township of Khayelitsha in Cape Town, South Africa, or recording with the drummer Tony Allen and leading to a collaboration with the The Watts Prophets.

Matt Black / Interview by Luca Forcucci – May 2021 / Bellinzona – London

Matt Black is half of legendary DJ duo and multimedia pop group Coldcut, formed in 1987, and founders of Ninja Tune, the UK  label. In 2020 Ninja Tune celebrated 30 years as one of the world’s leading electronic music labels and a beacon for the independent music spirit. In 2017 Coldcut celebrated 30 years in electronic music with a string of gigs releases and special projects. A new album ‘Keleketla’ was released July 2020 to ‘universal acclaim’ (Metacritic).

Matt is known for innovations in DJing, remixing, mashup, VJing, software, digital art and multimedia. Over 34 years as part of Coldcut he has combined cutting edge artistic expression with positive activist themes in such pieces as Journeys by DJ, The Only Way is Up, People Hold On, Stop This Crazy Thing, Timber, Panopticon, Re:volution, Energy Union, Walk a Mile, True Skool, and many more. Coldcut have worked with a wild range of artists, activists and other groups and luminaries eg Steve Reich, James Brown, Mark E Smith, Queen Latifah, Jello Biafra, Saul Williams, Robert Owens, Lisa Stansfield, Crass, Roots Manuva, Lee Scratch Perry, Adrian Sherwood, Tony Allen, Joe Armon-Jones, the BBC Radiophonic Workshop, the RCA, Greenpeace, and Avaaz.

In 2011 Matt designed the iOS app Ninja Jamm, Ninja Tune’s first music app which has had over 600,000 downloads; in Feb 2020 the new advanced version Jamm Pro was released. Matt uses his software to perform, lecture, and give workshops on audiovisual art, technology and music- so people can use these tools for their own art and music. In 2017, 2 more apps he designed were released: Pixi a visual synth, and Robbery a satirical video game. Midivolve, a music software collaboration with Ableton was released July 2017. The Zen Delay hardware unit released 2019 is also his co-creation and was rated as one of the top effects of the decade by Music Tech.

At Splice festival 2017 Matt showcased his experiments with Style Transfer, a cutting edge new style of visual processing using AI techniques. For his AV show, done in conjunction with his wife filmmaker Dinaz Stafford, Jamm triggers visual clips so every sound has a matching visual.

Matt collaborated with artist Wolfgang Buttress (the Hive, Kew) for BEAM AV installation Glastonbury 2019. In lockdown 2020 Matt revived PirateTV the netcasting project he started in 1998, and is currently doing AV shows via Twitch.

Matt’s stated ambition is to ‘create positive art, music and spiritual technology to blow the minds of the entire planet and advance cooperative strategies’. He continues to gig, lecture, DJ, VJ, record, make films, develop software and bridge the worlds of technology, club culture, art and activism.

Eleonora Oreggia/xname: Electromagnetism and gestures

Eleonora Oreggia / Interview by Luca Forcucci – June 22nd 2020 / Berlin-London

xname is the digital identity of media artist, performer and composer Eleonora Oreggia, originally from Milan and currently based in London. She creates performances and interactive installations using light, sound, dust and self-made sensor-driven synthesizers. Her music features elements of techno, ambient drone and industrial. In 2013 she has been selected by the Barbican to represent the artist Marchel Duchamp in the digital era. Her artworks, consisting of audiovisual pieces, software, sculptures, interactive installations and live performances, have received several prizes and awards and have been consistently shown in institutes, museums, galleries and festivals over Europe, UK, Asia and America – and over the Net. A Design alumna from renown Dutch post-academic institute Jan van Eyck Academie, Eleonora has also obtained an MPhil in Cultural Studies from Goldsmiths College, a PhD in Media & Arts Technology from Queen Mary University, and a Laurea (summa cum Laude) in DAMS (Drama, Art and Music Studies) from University of Bologna, IT. She is the founder of Nebularosa Records – a label promoting music and musicians who challenge established production practices.
http://xname.cc
http://xname.cc/rebus
http://nebularosa.net

Jill Scott: Media Arts, Bodies and Perception

In this interview, Jill Scott and I are sitting in a Ethiopian restaurant in Berlin. We learn about her large body of work spanning from performance, video to sonic arts, media arts and neuroscience. How all this could possibly connect ? A series of travels, experiments and encounters informed this important and very inspiring artist, which are embedded into a unique research in art and science.

Jill Scott / Interview by Luca Forcucci – September 1st 2019 / Berlin

Professor Dr. Jill Scott is an artist, teacher and context provider with 40 years experience in the unique transdisciplinary field of art, science and technology interactions. Her research spans neuroscience, electronics, ecology, sociology, sculpture, performative installation and media art. Her artwork is focused on the human body, the social and physical impact of technology on our bodies and the health of our environment. She asks: How does technological and biotechnical “progress” affect way we “see” our body? How can artists raise awareness about the human body and the scientific structure of sensory perception? How can artists shed light on the health affects of our physical environment? To address these questions, she builds interactive media installations that immerse viewers inside designed environments. She explores how visual metaphors and poetic analogies might create an alternative forms of art and science communication to help others learn more about sensory perception and reflect on their own ideological, biological, ecological, gendered and ethical futures.

 www.jillscott.org

Pamela Z / Sonic gestures extraordinaire (in English)

During an afternoon we sat together under the trees and birdsongs at the SAVVY art space in Berlin, where she was presenting works, for a long, beautiful conversation on sonic gestures, different accents and letter writing.

Pamela Z / Interview by Luca Forcucci – May 24th 2019 / Berlin

Pamela Z is a composer/performer and media artist who works primarily with voice, live electronic processing, sampled sound, and video. A pioneer of live digital looping techniques, she processes her voice in real time to create dense, complex sonic layers. Her solo works combine experimental extended vocal techniques, operatic bel canto, found objects, text, and sampled concrète sounds. She uses MAX MSP and Isadora software on a MacBook Pro along with custom MIDI controllers that allow her to manipulate sound and image with physical gestures. Her performances range in scale from small concerts in galleries to large-scale multi-media works in theaters and concert halls. In addition to her performance work, she has a growing body of inter-media gallery works including multi-channel sound and video installations.

Pamela Z has toured extensively throughout the United States, Europe, and Japan – performing in international festivals including Bang on a Can at Lincoln Center (New York); La Biennale di Venezia (Italy); the Interlink Festival (Japan); Other Minds (San Francisco); and Pina Bausch Tanztheater’s 25 Jahre Fest (Wuppertal, Germany). She has composed, recorded and performed original scores for choreographers and for film/video artists, and has done vocal work for other composers (including Charles Amirkhanian, Vijay Iyer, and Henry Brant). Her large-scale, multi-media performance works, including Memory Trace, Baggage Allowance, Voci, and Gaijin, have been presented at venues like the Kitchen in New York, Yerba Buena Center for the Arts, and Theater Artaud (Z Space) in San Francisco, the Museum of Contemporary Art Theatre in Chicago, as well as at theaters in Washington D.C. and Budapest Hungary. Her one-act opera Wunderkabinet inspired by the Museum of Jurassic Technology (co-composed with Matthew Brubeck) premiered at The LAB Gallery in San Francisco, and was presented at REDCAT in Los Angeles and Open Ears Festival in Canada. She has shown media works in exhibitions at the Whitney Museum of American Art (New York); Erzbischöfliches Diözesanmuseum (Cologne); the Tang Museum (Saratoga Springs NY); the Dakar Biennale (Sénégal); Krannert Art Museum (IL), and the Kitchen (NY).

Ms. Z has had chamber music commissions from Kronos Quartet, the Bang On A Can All Stars; Ethel String Quartet, the California E.A.R. Unit; the Left Coast Chamber Ensemble; the Empyrean Ensemble, and St. Luke’s Chamber Orchestra. She curates and produces “the ROOM Series”, a San Francisco avant-chamber series featuring the work of a variety of virtuosic solo artists and chamber groups playing experimental music. She has collaborated with a wide range of artists including Joan La Barbara, Joan Jeanrenaud, Brenda Way (ODC Dance), Miya Masaoka, Jeanne Finley + John Muse, Shinichi Iova Koga (Inkboat), Christina McPhee, and Luciano Chessa. She has participated in several New Music Theatre events (including John Cage festivals), and has performed with The San Francisco Contemporary Music Players. Her interactive web-based work Baggage Allowance can be viewed at baggageallowance.tv where it is permanently installed.

Jorge Antunes / a musical visionary maestro (in Portuguese)

From his early experiment while studying violin and physics in Rio de Janeiro
to his exil in Argentina, Netherland, Paris and more during the difficult Brazilian period in the1960-1980s, Antunes collected a number of prizes for his exceptional compositions. He embarks us in his journey.

Jorge Antunes interview by Luca Forcucci / 20 November 2018 / Recife / Brazil

Jorge Antunes formou-se em violino, composição e regência. Em 1961 se destacou como precursor da música eletrônica no Brasil. Realizou estudos pós-graduados na Argentina, na Holanda e na França. Foi Professor Titular na Universidade de Brasília de 1973 até 2011 quando se aposentou. Obteve vários prêmios nacionais e internacionais. É membro da Academia Brasileira de Música. Suas obras são publicadas por Salabert, Breitpkof&Hartell, Gerig, Ricordi, Sistrum, Billaudot e Suvini Zerboni.

Escritor

Sua produção literária é vasta, embora pouco conhecida. A divulgação de seus poemas, crônicas e outros escritos tem se restringido à inclusão em algumas coletâneas, livros coletivos e jornais e revistas. Em 1998 a editora Hemisfério Sul, de Blumenau, publicou seu livro de literatura juvenil A Morte do Arco-Íris. Em 2001 ganhou o primeiro lugar no concurso de contos da Revista Poiésis. Em 2006 recebeu menção honrosa no Concurso de Contos Yage, em Salzburg, na Áustria.

Artista Plástico

Participou dos Salões Nacionais de Belas Artes, do Salão de Abril no MAM e dos Salões Nacionais de Arte Moderna. Partindo do princípio de que “o grau de recepção de uma mensagem artística é proporcional ao número de sentidos usados na recepção”, criou obras as quais denominou “arte integral”, pelo apelo direto aos cinco sentidos, inclusive o paladar. Emprega assim os diferentes recursos audiovisuais e cinéticos, além de odores, elementos gustativos e possibilidades táteis.

JORGE ANTUNES

was born in Rio de Janeiro in 1942. He completed his musical studies at the University of Brazil: violin, composition and conducting. From 1961 he stands out as a precursor of electroacoustic music in Brazil and begins research in the field of the correspondence between sounds and colors.

He took postgraduate courses in Buenos Aires, Paris and Utrecht, studying with Ginastera, Kröpfl, Gandini, Koenig, Bayle, Reibel and Schaeffer. From 1973 he is a full professor at the University of Brasilia, having retired in 2011. In 1976-1977, he completed his doctorate at the University of Paris VIII under supervision of Daniel Charles.

Antunes works with electroacoustic music and computer music, but his instrumental production is very great. Its scientific production is also vast, with articles published in several specialized journals and annals of congresses. He has published five books on techniques and theory of contemporary music.

Their scores are published by Suvini Zerboni, Billaudot, Breitkopf & Hartell, Durand and Sistrum. In 2002 he was appointed Chevalier dans l’Ordre des Arts et des Lettres by the French Ministry of Culture and Communication. In 2012 Antunes received the Ibermusicas prize. In 2013 he was a resident-composer at CMMAS, Mexico. In 2014 was done, in Brasilia, the world premiere of his new opera “A Cartomante”. In March of 2017 was done the world premiere, in São Paulo, of his new opera “The Mirror”.

Their scores are published by Suvini Zerboni, Billaudot, Breitkopf & Hartell, Durand and Sistrum. In 2002 he was appointed Chevalier dans l’Ordre des Arts et des Lettres by the French Ministry of Culture and Communication. In 2012 Antunes received the Ibermusicas prize. In 2013 he was a resident-composer at CMMAS, Mexico. In 2014 was done, in Brasilia, the world premiere of his new opera “A Cartomante”. In March of 2017 was done the world premiere, in São Paulo, of his new opera “The Mirror”.

WordPress.com

Phill Niblock: the life of a living icon in experimental intermedia

The artist evokes is journey into photography, films and music, and the technology he used over the years for each discipline. Moreover, he talks about his loft in New York where concert of ‘new’ music took place through Experimental Intermedia organization.

Phill Niblock / Interview by Luca Forcucci – May 21st 2018 / Berlin

Phill Niblock (b. 1933, USA) is an artist whose fifty-year career spans minimalist and experimental music, film and photography. Since 1985, he has served as director of Experimental Intermedia, a foundation for avant-garde music based in New York with a branch in Ghent, and curator of the foundation’s record label XI. Known for his thick, loud drones of music, Niblock’s signature sound is filled with microtones of instrumental timbres that generate many other tones in the performance space. In 2013, his diverse artistic career was the subject of a retrospective realised in partnership between Circuit (Contemporary Art Centre Lausanne) and Musée de l’Elysée. The following year Niblock was honoured with the prestigious Foundation for Contemporary Arts John Cage Award.

WordPress.com