Adrian Sherwood’s Legacy:Innovations in Dub and Environmental Studies

Adrian Sherwood / Interview by Luca Forcucci – April 2025 / Praia – Cape Verde

During an afternoon on the Island of Santiago in the city of Praia in Cape Verde, Adrian Sherwood, the legendary music producer responsible for the distinctive sound of the label On-U Sound Records, shared his trajectory and vision of music.

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Photo: Luca Forcucci

For more than four decades, Adrian Sherwood has been consistently breaking new ground, and has developed a cult-like following via his experiments in dub, reggae, punk, post-punk and bass music. As the founder of the fiercely independent On-U Sound label he has brought the attention of artists like New Age Steppers, Mark Stewart, African Head Charge, Dub Syndicate, Creation Rebel and Tackhead (feat. Doug Wimbish and Skip Macdonald from the original Sugarhill Gang house band) to the world. Unsurprisingly, Adrian has produced and remixed everyone from The Slits to Nine Inch Nails, Depeche Mode to The Fall, Blur to Einsturzende Neubauten, Primal Scream and more.

Perhaps most well-known for his pioneering production work in dub and reggae since the late 1970’s, Adrian’s name draws reverence for his unparalleled work with collaborators such as Prince Far I, Lee Scratch Perry and Mikey Dread.

Sherwood’s output these last few years has been extraordinary; studio albums with Lee Scratch Perry in 2019, “Rainford” and it’s psychedelic dub companion “Heavy Rain”, were seen as a thrilling return to form for Lee, and both albums hit the top of the Billboard Reggae chart. In 2022, Adrian followed up with collaborative albums with Horace Andy – “Midnight Rocker” and it’s sound system counterpart, “Midnight Scorcher”. Midnight Rocker was crowned Guardian’s #1 Global Album of 2022 and was Mojo’s 4th best album of the year. As well as this he released his first album in over a decade with the legendary African Headcharge, ‘A Trip to Bolgatanga’ which unanimous received rave reviews. 

In a similar fashion to the oft heralded release ‘Echo Dek’, a rework of Primal Scream’s seminal ‘Vanishing Point’, Sherwood reconstructed indie behemoth Spoon’s latest album – the dubbed out companion, ‘Lucifer on the Moon,’ before attracting the attention of Panda Bear x Sonic Boom, whose collaboration with Sherwood, “Reset in Dub” was released Summer 2023 on Domino Records.

Dub Sessions 2024 Japan with Horace Andy and Creation Rebel concluded successfully with two sold out shows in Tokyo and Osaka. A new digital EP series launched in Summer 2024, highlighting each era of the On-U Sound history.

https://www.adriansherwood.com

LASER NOMAD LA CHAUX-DE-FONDS / Invisibility and Omnipresence

10.09.2020 / 18.15-midnight (Exhibition, Talks and Concert) / Club 44 at La Chaux-de-Fonds

Video of the talks and concert with Al Comet aka Mahadev Cometo and Luca Forcucci at the end

We explore the links between art and science through an exhibition, a talk and a concert. The 2020s of the 21st century have apparently wrecked our experience of the normality.
Invisibility and Omnipresence refers here, among other possibilities, to organisms / parasites / viruses, perceptions (virtuality, augmented or not), social and territorial prejudices (racisms), or our biosphere for example. What are the major challenges waiting for us in such context ? What will be the new normality ? Where is the reality, is it a virtual construction ? Which is the role of consciousness in such context ?

Pictures: Xavier Voirol

Jeremy Narby
Indigenous people mention since a long time ago, the existence of an invisible world supporting the world we perceive, establishing it to a certain extent, and with which we needs to
negotiate. Science, on the other hand, tell us about DNA molecules and virus, which are actually visible, and influencing our life. We know now that all the living beings of the planet, including
viruses, are integrally part of the ecological web of the planet, and altogether we are part of a planetary mega entity fully interconnected: the biosphere. This delicate layer of life surrounding the planet is self regulated on multiple levels, but its scale is so broad that we struggle to perceive it. Could a dialogue between science and Indigenous knowledge extend our way of dealing with the world, and help us to conceive the biosphere too ?

Biography
In charge of Amazonian projects for « Nouvelle Planète », Jeremy Narby is an anthropologist, who
supports Indigenous amazonian people initiatives since thirty years.

Al Comet / Alain Monod / Mahadev Cometo
In dialogue/interview with Luca Forcucci about his career as a musician with The Young Gods,
his experiments with electronic music and lately his study in India of the sitar instrument. Moreover, Al Comet is a trained military pilot, who continues to fly.

Biography
Member of The Young Gods during more than twenty years, Alain has contributed to define the industrial sound of the 1980s. In 2014, Al Comet leaves the Young Gods et focuses his energies on his very own self development under the name Mahadev Cometo. Always looking for new sonorities, he studies classical music in Benares. and publish a sitar record in 2017. Today, with his new generation modular sampler, he works on the elaboration of a new sitar album more revolutionary that ever “ the futur is now”.

Isabella Pasqualini

The environment shapes our experience of space in constant interaction with the body. Architectonic interiors amplify the perception of space through the bodily senses; an effect also known as embodiment. The interaction of the bodily senses with the space surrounding the body can be tested experimentally through the manipulation of multisensory stimulation and measured via a range of behaviors related to bodily self-consciousness. Through the association of egocentric, first-person view of a dancer to a virtual point of view, the choreography creates a virtual architecture.
Isabella Pasqualini is an architect (ETHZ 2000) and a scientist with a PhD in architecture and cognitive neuroscience (EPFL 2012).

Biography
Her works explore the mutual and intimate relationship between body and space using immersive and interactive multimedia, with a particular interest in the multisensory enhancement of the user’s horizon. For her post-doc project Visual Touches, touching Views at the Center of Neuroprosthetics EPFL, she received the prestigious fellowship grant from the cogito foundation in 2013. Currently, she is a faculty member of the >> LeaV at the École Nationale Supérieure d’Architecture de Versailles and of the NAAD Master class at IUAV University of Venice. She has been a guest researcher at the Laboratory of Cognitive Neuroscience EPFL. Isabella has planned a new City in Angola and built a temporary bank building in Luanda. She is a scientific reviewer, and works as an expert for Innosuisse as well as other innovation platforms.

Bruno Herbelin
Our body is our anchor in the world. Neuroscience of bodily self-consciousness investigates how this primitive subjective experience emerges into consciousness and, thanks to recent developments using new technologies for evaluating the impact of artificially mediated disruptions of this subjective experience, is now providing the first pieces of evidence of its complexity and multisensory aspects. Virtual Reality is particularly suited for this experimental research on bodily consciousness but, in parallel, it follows a massive industrial development that neglects the impact it can have on our experience of the self. Self-body representation is, for technical reasons, simply ignored in most VR experiences, although in effect this means providing the user with the strong and uncanny experience of invisibility. What I question and propose to discuss here, is if it makes sense to consider VR as the ultimate technology of telepresence (and omnipresence) if in practice it abstracts us and removes our body from the world.

Biography
Bruno Herbelin is senior researcher in virtual reality and cognitive neuroscience in the laboratory of Prof. O. Blanke at the École Polytechnique Fédérale de Lausanne (EPFL, Switzerland). From 2012 to 2019, he was deputy director of the EPFL Center for Neuroprosthetics. From 2005 to 2009, he was Assistant Professor at Medialogy Department of Aalborg University, Denmark. He obtained his PhD from EPFL School of Computer and Communications in 2005 for his research work on virtual reality exposure therapy under the supervision of Prof. D. Thallmann (Virtual Reality Laboratory). 

Luca Forcucci: Chair & Exhibition