A joint LASER: LASER CYLAND and LASER NOMAD present “Inception. Fermentation. Transformations in Sound Art”

Laser CYLAND and Laser NOMAD have decided to collaborate based on the field of possibilities and potentials of collective endeavours.
The term inception suggests a beginning, after the pandemic and other events having brought some lives to an end, the idea of a new start promotes hope. It may also allude to several layers of ideas, dreams or realities. Humanity finds itself in a peculiar situation, movement is certainly more restricted. The issues the world will experience when life goes back to ‘normal’, whatever that may be, and to which kind of normality, are as yet unknown and unknowable. Globality will probably be reconsidered and reshaped. Nevertheless, it seems that we need to continue to dream and reinvent a new future, one that, it is hoped, will avoid dystopian realities.
Transformations in Sound Art and in the Sonic Arts tend to be invisible, but not immaterial.
Fermentation processes may also be used as a modification of matter to create something new in visual, digital, and sound art.

info Link

Where: online

When: Saturday, October 1 at 8PM (Armenian time) (12 PM EST NYC). Find your timezone HERE

Speakers: Luca Forcucci, Sergey Komarov, Katherine Liberovskaya, Phill Niblock


Moderator: Natalia Kolodzei

SPEAKERS BIOS

Luca Forcucci, artist, scholar and guest professor, observes perceptive properties of the first person experience through large scale installations, compositions, video, photography and writing. The research investigates mental imagery of sonic architectures. The works were held at Ars Electronica Linz, Biennale del Mediterraneo Palermo, Museo Reina Sofia Madrid, Centro Hélio Oiticica Rio de Janeiro, The Lab San Francisco, Rockbund Museum Shanghai, MAXXI Rome, or Akademie der Künste Berlin. His plateform UBQTLAB.ORG develops art and science encounters.

Komarov Sergey is a sound artist and curator. In 2003-2005, he curated the Oscillation Works label that published works by experimental musicians. Since 2008, he has worked as a computer programmer and an engineer at CYLAND Media Art Lab; since 2010, he has initiated the Kurvenschreiber Collective. Since 2013, has curated CYFEST International Media Art Festival audio projects and CYLAND Audio Archive (cyland.bandcamp.com(link is external)). Sergey Komarov is a participant of CYFESTs of various years, ArchStoyanie Festival (2014, Kaluga Region, Russia), “The Creative Machine 2” exhibition at Goldsmiths, University of London (2018, UK), exhibitions at Pratt Institute, The National Arts Club, Ca’Foscari University and Experimental Intermedia. 

Katherine Liberovskaya is a Canadian intermedia artist based in New York City. Involved in experimental video since the 80s, she has produced numerous single-channel video art pieces, video installations and video performances, as well as works in other media, that have been shown around the world. Since 2001 her work predominantly focuses on the intersection of moving image with sound/music in various both ephemeral and fixed forms (projections, installations, performances), notably through collaborations with composers and sound artists in improvised live video+sound concert situations where her live visuals seek to create improvisatory “music” for the eyes. In addition to her art work she curates events in experimental video/film, sound/music and A/V performance (primarily Screen Compositions since 2005 and OptoSonic Tea since 2006). In 2014 she completed a PhD in art practice entitled “Improvisatory Live Visuals: Playing Images Like a Musical Instrument” at the Universite du Quebec in Montreal (UQAM). 

Phill Niblock is an intermedia artist using music, film, photography, video and computers. He was born in Indiana in 1933. Since the mid-60’s he has been making music and intermedia performances which have been shown at numerous venues around the world. Since 1985, he has been the director of the Experimental Intermedia Foundation in New York – www.experimentalintermedia.org– where he has been an artist/member since 1968. He is the producer of Music and Intermedia presentations at EI since 1973 and the curator of EI’s XI Records label. Phill Niblock’s music is available on the XI, Moikai, Mode, Matiere Memoire, Room 40, and Touch labels. DVDs of films and music are available on the Extreme label and Von Archive. He is a retired professor of film, video and photography at The College of Staten Island, the City University of New York. In 2014, he was the recipient of the prestigious John Cage Award from the Foundation for Contemporary Arts.

Moderator:
Natalia Kolodzei, an honorary member of the Russian Academy of Arts, is a curator and art historian. Ms. Kolodzei is Executive Director of the Kolodzei Art Foundation (a US-based 501(c)(3) not-for-profit public foundation established in 1991), and, along with Tatiana Kolodzei, owner of the Kolodzei Collection of Eastern European Art, containing over 7,000 artworks (paintings, sculptures, works on paper, photography, kinetic and digital art) by over 300 artists of the 20th and 21st centuries.  Ms. Kolodzei has curated over eighty art exhibitions in the US, Europe and Russia. She is an author and editor of multiple publications and organized and contributed to symposiums and panel discussions for universities and museums worldwide, including co-chair Leonardo Art Science Evening Rendezvous (LASER) CYLAND Talks. In 2010 she was a member of Culture Sub-Working Group under the US-Russia Bilateral Presidential Commission.

Jill Scott: Media Arts, Bodies and Perception

In this interview, Jill Scott and I are sitting in a Ethiopian restaurant in Berlin. We learn about her large body of work spanning from performance, video to sonic arts, media arts and neuroscience. How all this could possibly connect ? A series of travels, experiments and encounters informed this important and very inspiring artist, which are embedded into a unique research in art and science.

Jill Scott / Interview by Luca Forcucci – September 1st 2019 / Berlin

Professor Dr. Jill Scott is an artist, teacher and context provider with 40 years experience in the unique transdisciplinary field of art, science and technology interactions. Her research spans neuroscience, electronics, ecology, sociology, sculpture, performative installation and media art. Her artwork is focused on the human body, the social and physical impact of technology on our bodies and the health of our environment. She asks: How does technological and biotechnical “progress” affect way we “see” our body? How can artists raise awareness about the human body and the scientific structure of sensory perception? How can artists shed light on the health affects of our physical environment? To address these questions, she builds interactive media installations that immerse viewers inside designed environments. She explores how visual metaphors and poetic analogies might create an alternative forms of art and science communication to help others learn more about sensory perception and reflect on their own ideological, biological, ecological, gendered and ethical futures.

 www.jillscott.org