Jocy de Oliveira / A Trajectory into New Forms of Music (In Portuguese)

Not only her work spans over more than 50 years and englobes music composition, performance, theatre and sound installations, but she also has worked with the biggest names in the field, like Stravinsky, Berio, Cage, Stockhausen, just to name a few. Here she comes back on the stories of these unique encounters, and also how she firstly brought this kind of music to Brazil.

Jocy de Oliveira / Interview by Luca Forcucci – August 7nd 2019 / Berlin-Rio de Janeiro

Jocy de Oliveira has been involved as a composer/author in a variety of media since the early 1960s utilizing acoustic and electronic instruments, music-theatre, installations, texts, graphics, video, and audiences in an approach to an organic development of performance/composition works.

Her operas were released on 6 DVDs distributed by NAXOS Video Library. Her most recent work is a cinematic opera Liquid Voices – A história de Mathilda Segalescu is a feature film in process of finalization and distribution to International Film Festivals in 2019.

Author of five books published in Brazil, France and the USA, Jocy de Oliveira recently launched Dialogue with Letters, published by SESI SP, 2014, which was acclaimed by the media and received the most important literature prize in Brazil – Jabuti Literature First Prize, 2015. This same year the French edition of this book was very successfully launched in Paris by Editions Honoré Champion as part of the Sorbonne musicology collection. In 2016 the book was selected as finalist for the Premio Rio de Literatura. In 2018 a book Leituras de Jocy coordinated by Rodrigo Cicchelli and Manoel Correa do Lago was released by Editora SESI SP compiling analyses and reflections from 27 authors on her work. FLIP – the most important Brazilian International literature Festival held in Paraty July, 2018 focused on her works and honored her during its opening and two other different presentations.

She was honored with the invitation to write a chapter on Stravinsky ‘s new book – Abécédaire Stravinsky, organized by the Stravinsky Foundation and being published by Éditions La Baconnière, Genève 2018/2019.

She received a number of grants and awards, such as Guggenheim Foundation (2005) Rockefeller Foundation (1983 and 2007), Bogliasco Foundation (2004 and 2016), CAPS (New York Council on the Arts), besides Vitae and Rioarte Foundations in Brazil. She was elected a life member of the Academia Brasileira de Musica, holds a Master of Arts degree (1968) from Washington University, St. Louis, USA and received an Honorary Doctorate from the Universidade Federal do Rio de Janeiro, 2016.

In Portuguese

Pioneira no desenvolvimento de um trabalho multimídia no Brasil envolvendo música, teatro, instalações, texto e vídeo, é a primeira entre os compositores nacionais a compor e dirigir suas óperas buscando reformular o formato convencional operístico.

Suas peças tem sido apresentadas em teatros e festivais como Berliner Festspiele, Haus der Kulturen der Welt , Hebbel Theater em Berlim, StaadtsTheater – Darmstadt, Bayerischer Rudfunk – Munique, Festivals Dresdner Tage der Zeitgenössischen Musik – Desden, Expo 2000 Hannover, Ludwigshafen Opera Festival, Salzburg Festival – Aspekte, Hayden Planetarium, Carnegie Hall, Brooklyn Academy – em New York, New Music America Festivals, Miami Planetarium, Bellas Artes – Mexico, Teatro Avenida, Buenos Aires, Orquesta Sinfonica del Sodre, Uruguai, Orquesta Sinfônica Nacional de Cuba, Radio France – Paris, Gaudeamus e Gulbenkian Foundations, Chengdu University – China. No Brasil, suas obras têm sido apresentadas anualmente em diversos teatros e festivais incluindo os Theatros Municipal de São Paulo e do Rio de Janeiro e em diferentes capitais.

Como compositora e pianista, gravou 25 discos no Brasil, Inglaterra, EUA, Alemanha, Itália e no México; registrou nos EUA e no Brasil a obra pianística de Olivier Messiaen (selo NAXOS). Oito de suas óperas multimídias foram gravadas em DVDs distribuídos pela NAXOS Video Library e pelo SESC, SP.

Jorge Antunes / a musical visionary maestro (in Portuguese)

From his early experiment while studying violin and physics in Rio de Janeiro
to his exil in Argentina, Netherland, Paris and more during the difficult Brazilian period in the1960-1980s, Antunes collected a number of prizes for his exceptional compositions. He embarks us in his journey.

Jorge Antunes interview by Luca Forcucci / 20 November 2018 / Recife / Brazil

Jorge Antunes formou-se em violino, composição e regência. Em 1961 se destacou como precursor da música eletrônica no Brasil. Realizou estudos pós-graduados na Argentina, na Holanda e na França. Foi Professor Titular na Universidade de Brasília de 1973 até 2011 quando se aposentou. Obteve vários prêmios nacionais e internacionais. É membro da Academia Brasileira de Música. Suas obras são publicadas por Salabert, Breitpkof&Hartell, Gerig, Ricordi, Sistrum, Billaudot e Suvini Zerboni.

Escritor

Sua produção literária é vasta, embora pouco conhecida. A divulgação de seus poemas, crônicas e outros escritos tem se restringido à inclusão em algumas coletâneas, livros coletivos e jornais e revistas. Em 1998 a editora Hemisfério Sul, de Blumenau, publicou seu livro de literatura juvenil A Morte do Arco-Íris. Em 2001 ganhou o primeiro lugar no concurso de contos da Revista Poiésis. Em 2006 recebeu menção honrosa no Concurso de Contos Yage, em Salzburg, na Áustria.

Artista Plástico

Participou dos Salões Nacionais de Belas Artes, do Salão de Abril no MAM e dos Salões Nacionais de Arte Moderna. Partindo do princípio de que “o grau de recepção de uma mensagem artística é proporcional ao número de sentidos usados na recepção”, criou obras as quais denominou “arte integral”, pelo apelo direto aos cinco sentidos, inclusive o paladar. Emprega assim os diferentes recursos audiovisuais e cinéticos, além de odores, elementos gustativos e possibilidades táteis.

JORGE ANTUNES

was born in Rio de Janeiro in 1942. He completed his musical studies at the University of Brazil: violin, composition and conducting. From 1961 he stands out as a precursor of electroacoustic music in Brazil and begins research in the field of the correspondence between sounds and colors.

He took postgraduate courses in Buenos Aires, Paris and Utrecht, studying with Ginastera, Kröpfl, Gandini, Koenig, Bayle, Reibel and Schaeffer. From 1973 he is a full professor at the University of Brasilia, having retired in 2011. In 1976-1977, he completed his doctorate at the University of Paris VIII under supervision of Daniel Charles.

Antunes works with electroacoustic music and computer music, but his instrumental production is very great. Its scientific production is also vast, with articles published in several specialized journals and annals of congresses. He has published five books on techniques and theory of contemporary music.

Their scores are published by Suvini Zerboni, Billaudot, Breitkopf & Hartell, Durand and Sistrum. In 2002 he was appointed Chevalier dans l’Ordre des Arts et des Lettres by the French Ministry of Culture and Communication. In 2012 Antunes received the Ibermusicas prize. In 2013 he was a resident-composer at CMMAS, Mexico. In 2014 was done, in Brasilia, the world premiere of his new opera “A Cartomante”. In March of 2017 was done the world premiere, in São Paulo, of his new opera “The Mirror”.

Their scores are published by Suvini Zerboni, Billaudot, Breitkopf & Hartell, Durand and Sistrum. In 2002 he was appointed Chevalier dans l’Ordre des Arts et des Lettres by the French Ministry of Culture and Communication. In 2012 Antunes received the Ibermusicas prize. In 2013 he was a resident-composer at CMMAS, Mexico. In 2014 was done, in Brasilia, the world premiere of his new opera “A Cartomante”. In March of 2017 was done the world premiere, in São Paulo, of his new opera “The Mirror”.

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